![]() During their time at Royal Holloway University of London, Sarah helped create the Drama Society’s BAME performance slot at the SU’s event, A Night at the Theatre, as well as introduce the practice of sharing personal pronouns within Drama Society events, helping to make the society a more inclusive place for their trans members. Sarah’s main focus in theatre is the wellbeing and representation of marginalised groups, specifically ethnic minorities and queer identities, and they strive to use their research to help shape theatre into a more inclusive and accessible place. Their positive attitude, great work ethic, and ability to align their work with the creative vision of the team makes Sarah a valuable member of any production team. Sarah is a multi-skilled Stage and Production Manager with 14 years of experience in a variety of production areas such as lighting, sound, and scenic design as well as 18 years of musical theatre and acting training. Instagram: Area: Stage and Production Management Venue Manager Pleasance Cellar, Edinburgh Festival Fringe (2018) Stage Manager Sleeping Beauty, PATS Theatre Very organised and detail oriented, she has the right personality to become an excellent Company Stage or Production manager.Īssistant Stage Manager Placement Macbeth, Guildford Shakespeare Company She has proved to have excellent team building skills in her roles at GSA. As her main interest was in stage management rather than the technical side of theatre, she moved to GSA to learn more about that specific field.Ĭarole is reliable and practical and has been described a safe pair of hands. She returned to the UK and completed an HND in Technical Theatre, graduating first in her class. While working as Assistant to the Director of Climate Change at the UN Food and Agriculture Organisation in Rome for over 20 years she pursued stage management as a hobby for eight of those with Arts in English, working on musical theatre shows produced in English for the Rome ex-pat population. Specialist Area: Stage and Production ManagementĬarole came later to stage management than most others on her course, bringing a wealth of life experience to the table. Stage Manager The Little Prince, The Marlowe Theatre Studio She is hoping to continue her work with Actor Musicians during her placement on Our Man in Havana at the Watermill Theatre this summer, amongst other exciting opportunities.Īssistant Stage Manager The Diary of Anne Frank, Bellairs Theatreĭeputy Stage Manager Lucky Stiff, PATS Studio Theatre ![]() ![]() In doing so, she discovered a passion for children’s theatre and puppetry and is keen to develop these interests in her professional career.įern has worked closely with the BA Actor Musicians at GSA this year on two of their productions, and her own musical training has helped in her transition into musical theatre, making her a confident score reader and show caller. With a can-do attitude, she is particularly adept at propping and creative problem solving, having taught herself basic puppetry design and construction for an adaptation of The Little Prince. With four years’ experience working on small scale and fringe theatre, Fern is most at home taking a hands-on role. Having developed a versatile skill set and a pragmatic and personable approach, she can integrate successfully as a reliable and capable part of any production team. Throughout her BA in Drama & Theatre Studies, and her MA at GSA, Fern has repeatedly challenged herself to work on a diverse array of shows through various stage management and leadership roles. Specialist area: Stage and Production Management Schools Engagement and Workshop Programme.
0 Comments
Leave a Reply. |